Aggressive Drums: The Recording Guide
Aggressive Drums:
The Recording Guide
Forewords
Drummer
Drums
Drumheads
Drum Tuning
Cymbals
Recording Room
Cymbals
Snare Drum
Kick Drum
Toms
Ambience
Drum Triggers
Setting the Levels
Building a Headphone
   Mix and a Tempo Map
Sampling the Drumkit
Combining the Takes
Microphone Preamps and Pre-Processing
Final Words
Sources
Search


FaderWear Guides
Guides Index
Aggressive Drums:
The Recording Guide
Extreme Master Bus Processing: Compression and Saturation
Parallel Compression
Guitar Re-Amping
Split Harmonizer



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Cymbals
Many hard-hitting drummers like to use heavy cymbals. It's not a good thing in the studio. Thinner and smaller cymbals tend to sound better recorded. They have a lower pitch which blends better with the rest of the instruments. Loud cymbals also make it very hard to get a good separation. There is one exception to the rule though: ride cymbal. Heavy rides have a better stick articulation and "ping" that will come through a dense mix.

The worst-case scenario is a bad drummer with a 15-inch heavy hi-hat! Also, make sure that the hi-hat is not opened too much. My personal favourite is a 13-inch Paiste Signature Dark Crisp Hi-Hat.
All cymbal manufacturers have great cymbals. Just pick the ones that are low or medium volume. My personal favourites to record are the Zildjian A Custom and Paiste 2002. Remember: if the cymbals sound cheap, the whole mix will sound cheap.


Copyright (c) 2007-2008 Santeri Salmi