Aggressive Drums: The Recording Guide
Aggressive Drums:
The Recording Guide
Forewords
Drummer
Drums
Drumheads
Drum Tuning
Cymbals
Recording Room
Cymbals
Snare Drum
Kick Drum
Toms
Ambience
Drum Triggers
Setting the Levels
Building a Headphone
   Mix and a Tempo Map
Sampling the Drumkit
Combining the Takes
Microphone Preamps and Pre-Processing
Final Words
Sources
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Guides Index
Aggressive Drums:
The Recording Guide
Extreme Master Bus Processing: Compression and Saturation
Parallel Compression
Guitar Re-Amping
Split Harmonizer



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Final Words
If you do everything as I wrote, you will end up with 16-20 tracks for drums. You don't need to use all of them, but it's great to have options. You might think that gear means everything. To get world-class results, it is important. Just don't forget that the most important thing is to capture a great performance. After that everything else will be easy.
The raw drum sound will rarely be the final sound (unless you have already processed it on the way in). You will need to do a lot of saturating, compressing and equalizing to make it really powerful and aggressive. If the worst-case scenario happens and you need to replace everything with samples, the sound you have gotten with this guide will be suitable for that use too.
Santeri Salmi


Copyright (c) 2007-2008 Santeri Salmi